Clarence Millet (1897-1959), an accomplished artist, returned to his birthplace in the American South, after living and studying in other places. He painted the sights and sounds near his studio in the French Quarter of New Orleans, including this still popular restaurant nearby. People flock to it for Creole Cuisine and shade!

This elaborate impressionistic scene is rich in texture, color, perspective, and movement. Clarence Millet shares a detailed, exacting view which in all likelihood was timeworn for him. His exquisite treatment of nature and people, complete with two little girls at a wishing well; a sky in a blue that can’t be named; and a building peeking through a draping tree, do seem to take us with him to a beloved home base.

And with our 2026 faithful eyes, we might also see questions about this place – curiosities not judgements. Is the segregation pictured actual or chosen? Is this a place for the upper 1% or another percentage of his society? What else was happening in New Orleans at this time?

These questions are ones we can ask of our own days and times. Where is the suffering? Do we see it or paint it out of our awareness? Who shares our particular reality? Does the answer encourage or trouble us? How can we broaden our views and do what these require?

We are called to these considerations in each hour by the stories of our tradition, stories that we can paint with our imaginations. These stories can tell us the truth of caring and what it may take. May we remember these as guidance and be grateful. Amen.

In gratitude, faith and hope,